You have realized lots of golden nuggets in your last post.
You do have say in how you respond to corrections. You are realizing that how you accept the words, tone, guidance, etc., make the difference in whether you act on the correction or ignore it.
There is so much going on with ballet. So much has to come together to create the feel of the choregraphy.
Some performers struggle with the idea of "how do I let go?" so all the 'pieces' can come together in the best possible way.
Let's talk about a mental strategy that can help you with isolating corrections --
in the next post.
We can go back and forth with you trying this out and letting me know your results. Anyone out in our reading audience can participate as well.
Back soon --
Wednesday, October 10, 2007
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